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Being Present
John of Damascus, attentive to his work, a halo of awareness around him.
June 2009 Awareness, Attention
In a moment of presence, awareness flows in and out in the same harmony as the exhalation and inhalation of breath. Presence unifies both awareness and its subject, both the witness and its participation in reality. By studying the energy of awareness, of attention, one will discover how to control and use it for consciousness. One has this energy in abundance, according to one’s health or state of mind, yet it is how this energy is applied that is the key to being present. Attention manifests on many levels; for example, the focus required for learning a skill, developing a concept, absorbing a fact, or the caution required for crossing a busy street. Attention can be used as a bond between the mind and a subject, or otherwise caught in fascination, or trapped in imagination. Its highest use is through a special effort to create presence, detaching it from the subject but sustaining its focus, and what seems impossible in imagination, is more than possible with presence. There are many examples of how attention adds to the subject. A chef’s love of cooking is one of the ingredients of a delicious dish. Lovers discover a natural, magnetic flow of attention between them. A dancer concentrates on a ballet jump, which in performance becomes a spectacular leap. And through consistent effort, the state of presence becomes aware of itself, independent from the sleeping state, independent from time, a ‘living soul’.
There is a delicate balance in using attention. Much of the time, one is unfocused, distracted
by events or absorbed in the half-thoughts and fears, the random associative images of imagination. Observing this, one sets an exercise, an aim to be conscious of one’s hands for fifteen minutes. During the exercise, although the aim is a consistent reminder, one’s level of attention constantly fluctuates, deviated by another inclination, a desire, or a thought. Without an aim, attention is either drawn to the loudest, most obvious impression in the environment, or absorbed in empty imagination.
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